BLAIR WITCH is the surprise sequel to 1999’s The Blair Witch Project. How well does the new film work? Will it change the horror genre like its predecessor did? Or is it the final nail in the found-footage coffin?
The gang pits the 1981 classic THE EVIL DEAD against its 2013 remake. How well does the original hold up? What does the new one get right? And what’s the deal with that tree scene in both films?
The gang investigates the latest teamup from horror master Sam Rami and Fede Alvarez. DON’T BREATHE is an inversion of the classic Monster in the House trope. But how well does this film succeed?
For Don’t Split Up! EpisodesThe gang investigates two classics that prove remakes aren’t always bad: THE THING from 1982 and THE FLY from 1986. Both films use the loss of bodily identity to explore deeper horrific themes. What did we make of them? Listen in!
A bonus episode! We explore the Netflix hit STRANGER THINGS. Why does everyone love this Stephen Spielberg meets Steven King show so much? PLUS get an exclusive look at a brand new project from horror author Orrin Grey and illustrator MS Corley!
LIGHTS OUT is the new horror film based on an ultra-creepy short film released a few years ago. The gang investigates the feature-length version. How scary is it? Does the premise work at length? And what does the film have to say about mental illness? PLUS: Stranger Things on Netflix and the new Ghostbusters!
For Don’t Split Up! Episodes
The gang investigates James Wan’s latest horror sensation THE CONJURING 2. PLUS: We investigate the true story of the Warrens and the original CONJURING film.
It’s the 25th episode of Don’t Split Up! In honor, we review some recent horror media we’ve been enjoying (or not). Next, we investigate the horror camp classic Killer Klowns from Outer Space. Unsurprisingly, the gang is divided!
Now that CLOWN is finally getting a US release, the gang investigates this horrifying new take on an old fear. We explore why we’re so scared of clowns. And we talk to stars Andy Powers and Laura Allen to learn what it’s like to be on the other side of the camera when the horror gets turned up to 11.