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The Problem with the Virtuous Hero

Bryne and JR. recap some of our favorite films of a very good year, then dive into a couple that signal a shift in how we are telling stories as a culture. The Big Short, Sicario and Netflix’ Making a Murderer demonstrate an important shift away from the traditional virtue narrative Americans like so much toward more complicated, complex and honest storytelling. We evaluate this shift, and why we are so excited for it.

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Bryne and JR. recap some of our favorite films of a very good year, then dive into a couple that signal a shift in how we are telling stories as a culture. The Big ShortSicario and Netflix’ Making a Murderer demonstrate an important shift away from the traditional virtue narrative Americans like so much toward more complicated, complex and honest storytelling. We evaluate this shift, and why we are so excited for it. [learn_more caption=”In This Episode”]

2:00 – Best Movies of 2015

7:00 – Coming Soon

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Origami Elephants - January 11, 2015

What Makes a Marriage?

What Makes a Marriage?

Bryne and JR. catch up in the New Year. They review the best films of 2014 and spend some specific time praising the Babadook. They then use Allan Edwards' interview with NPR to examine what makes a marriage.

From Series: "Origami Elephants Season 2"

Bryne and JR. are back with more guests, more movies and more hard-hitting exploration of those elephants.

More From "Origami Elephants Season 2"

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Episode Links

JR.’s Best of 2015 List

Moral Storytelling in The Big Short and Making a Murderer

 

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Bryne Lewis

Blog | The Other Journal | Twitter | Facebook

JR. Forasteros

Blog | Norville Rogers | Twitter | Facebook

What films do you find challenging the virtuous hero narrative?

By JR. Forasteros

JR. lives in Dallas, TX with his wife Amanda. In addition to exploring the wonders that are the Lone Star state, JR. is the teaching pastor at Catalyst Community Church, a writer and blogger. His book, Empathy for the Devil, is available from InterVarsity Press. He's haunted by the Batman, who is in turn haunted by the myth of redemptive violence.