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Get Out

Jordan Peele’s film debut is a stunning horror film grounded in the black experience in America. We investigate this new classic, paying special attention to how the film utilizes classic horror tropes to reveal the lived horror of black Americans. Plus: can we convince Stacey hypnosis is real? Quick! Someone grab a silver spoon!

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Jordan Peele’s film debut is a stunning horror film grounded in the black experience in America. We investigate this new classic, paying special attention to how the film utilizes classic horror tropes to reveal the lived horror of black Americans. Plus: can we convince Stacey hypnosis is real? Quick! Someone grab a silver spoon!

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1:00 – What We’ve Been Watching

10:00 – Get Out (no spoilers)

19:00 – Spoilers

56:00 – Next Time On…

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Dont Split Up - October 20, 2017

Zombies and Bad Parents: Train to Busan vs It Stains the Sands Red

Zombies and Bad Parents: Train to Busan vs It Stains the Sands Red

Two recent zombie flicks explore the possibility that it may take a zombie apocalypse to make some people into good parents. We investigate South Korea's sensation Train to Busan and It Stains the Sands Red. Which is fresh and which should you skip?

From Series: "Don't Split Up! Season 3"

Sometimes the whole cast doesn't make it to the sequel. Our beloved Stacey has been recast as Phoenix the Derby Queen. Join us as we investigate more of your favorite scares new and old.

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Episode Links

Get Out is a horror film about Benevolent Racism (Alissa Wilkenson at Vox)

Get Out perfectly captures the terrifying truth about white women

For Colored People still thinking about dating interracially when watching Get Out wasn’t enough

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What themes in GET OUT resonated most with you?

By JR. Forasteros

JR. lives in Dallas, TX with his wife Amanda. In addition to exploring the wonders that are the Lone Star state, JR. is the teaching pastor at Catalyst Community Church, a writer and blogger. His book, Empathy for the Devil, is available from InterVarsity Press. He's haunted by the Batman, who is in turn haunted by the myth of redemptive violence.